Every year the Springville Museum hosts the Spring Salon, an art show for any current Utah artist. It’s a juried show and is open to most visual arts. They will begin receiving artworks on April 5th with the deadline on April 9th. For more details see the link below.
In 1798 Napoleon Bonaparte set out to invade Egypt as a means to reduce British influence in the Mediterranean, but he also believed that it shouldn’t be just a military conquest and should have educational and scientific goals. Along with his army he set up the Sciences and art commission of the army of the east which was 167 members strong. From this expedition they started to publish Description de L’Egypte (Description of Egypt) in 1802, a ten volume book of what they saw and found.
This started a rage for all things about the near east, which they called the Orient, and inspired the golden age of Orientalist painting. Jean-Leon Gerome was taken with the fad and became possibly the most famous Orientalist painter.
Arab Purchasing a Bridle is one of my favorites by Jean-Leon Gerome. I love the way he’s split the composition into three main values. The white of the horse, the diagonal middle tone from lower left to upper right and the two shadow areas on the top left and lower right corners. The shadow areas are key to this painting since they relieve the eye from some of the almost too crisp details he tends to get in some of his paintings.
The Serpent Charmer might be his most known work, and also one of his most controversial. It has been maligned as having a hidden sexual meaning between the boy and the men watching, it has been pointed out that it combines Egyptian, Turkish, and Indian elements as as such is a “complete fiction”, and (along with Orientalism in general) shows the superiority of colonial culture over those that were colonized since it was painted by a Frenchman.
Much of these thoughts and criticisms are being overturned in recent years since they are not supported by historical evidence and it is being recognized that Orientalism as a genre has been used as a whipping boy to prop up a political agenda.
And it astounds me that the true subject of the painting, that magnificent blue wall, gets overlooked by critics. The boy’s hand and the head of the snake are practically pointing at it, and Gerome has even added the weapons on the wall to stop your eye and make sure you see it. Viewed in this context the men and boy serve as compositional devices and an excuse so we are not left wondering why the artist painted just a wall if they had been left out.
Bonaparte Before the Sphinx brings us back to Napoleon. Gerome wasn’t born until 1824 so this is a scene he imagined took place.
I love that the Sphinx is not yet excavated and that no archaeologists have dug trenches or marked off grids. This is the spirit of exploration as one man confronts something both amazing and mysterious at the same time. Which for me is the true heart of the painting, and Orientalism as a whole.
Here’s a little poster I made showing the relationship between a color’s intensity and value. I found it interesting how you could have such different colors and intensities and still get the same value.
This is a good thing to remember when you have far too many values than you can produce in paint, or may want to produce, and need to still show form. Instead of going darker or lighter you can simply change color or intensity.
Here’s an unusual view of a painting
This is the same painting of the bottle and acorns as before but now the bottle and acorns are done with only the stone waiting on it’s final coat. I did this to show the three dimensions of the highlights. You can see it better in the detail below.
White has a tendency of becoming more transparent as it ages, so to keep it looking fresh you have to build up the highlights, or in the case of pinpoint effects such as the glass on this bottle, use a hair like peak of paint on a heavily loaded brush.
Also the little spikes of paint look cool from the side!